Recording Studio

There was a time just a few decades back when building a private recording studio was prohibitively expensive for the vast majority of people out there. However, over the course of these three decades it is the plummeting price on electronics that has led to a boom in musicians and artists building them.

A basic personal desktop computer for instance would have run you about $7000 back then and it had a fraction of capacity that your average $300 model has today. The same thing goes for speakers, musical instruments, and even things like the new ultra sound absorbent insulating materials.

Everything is cheaper and absolutely everything is better now. So step one for getting started on your own personal music studio is to come to terms with whether you can put it together where you want. Yes sound absorbent materials are a whole lot better than they used to be, but they still aren’t perfect.

So if you’re, say up on an upper floor of the multi-unit housing complex you might give it any thought and run a few sound tests to make sure that you aren’t going to be put out of business as soon as it is done.

If it ends up bothering somebody try to keep in mind that running a commercial business like this in a residential dwelling means that an annoyed neighbour would have no trouble at all getting you shut down for code violations if you do plan on making money with it.

So then step two after you’ve cleared step one is to blow insulation into any of your existing exterior walls if they aren’t already insulated. In most states in the US insulation was not standard code in new construction up until around the mid-70s. So if you’re building is over 35 years old there’s a good chance that the walls are hollow. Cellulose insulation works best for blowing in and most hardware stores will lend you the blower for free when you buy the insulation.

Make sure to drill a hole at the top and bottom of each wall cavity so you can feed the installation in at the bottom and vent air out the top as it fills a cavity.

After that has all been done its time to build your interior walls and you’ll need to frame in a sound booth and a monitoring room for your mixing board. Then there’s also the option of a separate room for a drum set, and maybe a break room with a few chairs, a sofa, coffee table and perhaps a small refrigerator.

Make sure to use 2X6 framing lumber rather than 2X4s when you frame in these walls because you’ll be able to fit extra insulation into the larger cavities. Then after you frame in all the walls it is time to buy a covering for them.

Most people tend to gravitate towards natural wood for its acoustic benefits, there are new materials now that are also recognized for the acoustic qualities. Materials that are far more affordable than wood because it really has taken any big jumps in price in recent years.

Then when it is time to cover the floor typical thick pile carpeting with good high-quality foam padding works great for eating sound in rooms where you’re looking to deaden it.


Recording Studios

A recording studio is a state of the art facility with high-spec voice over recording and ISDN studio facilities. Most studios are digital recording studios and are very effective in producing very high quality audio and video tracks. Lots of staff works in a recording studio. There’s also Voice over guys who show their talent on commercial voice over, Corporate Recording, video game voice over, cartoon voice over etc.

These voice-over artists are generally from different states and mostly work on multi lingual assignments. Kilohertz an Audio Video Dubbing Studios in Kolkata is very well equipped to provide you with multifaceted facilities for your recording options. Recently Audio and Video recording have become very popular in the corporate sector as a business promotion tool. Business houses short small video films with Voce over so that they can be displayed both in Television, radio and Internet. Internet has become an exceedingly important medium to generate customer base and this increasing demand from businesses is basically driving more and more people to use Dubbing Studio Kolkata to make their advertisement options superior and improved with new or old products and services towards consumers in a dynamic manner.

Both Audio and Videos can be used very successfully to direct and take ahead any sort of marketing campaigns, business and sales promotions, special publicity operations and advertising drives, as audio visual presentations tend to have a superior effect on people, rather than only radio clips. This day Internet as an advertising medium is ever expanding and only written data ads tend to have lesser impact while audio video presentations add a degree of dynamism to the mostly bland written content on websites. Videos provide a moving atmosphere and your advertisement seems to become alive in front of the customer. That is why Audio Video Dubbing Studios in Kolkata have gained momentum and are used more and more by event managers, television channels and business houses. You can make choices between a visual montage of pics to a motion video and further to an audio-visual footage, the last being the most effective in driving the promotion as it can blend visual appeal and audio to further explain the features and benefits of the service and the product.

Now with the advancement in technology and with the availability of high definition, Blue Ray videos, products and services are visible in high digital clarity through video promotion. There are a lot of promotion sites on Video and Pic related content such as YouTube. Business Houses shoot their products, can edit the footage according to their product and service demands and upload it to their own website and others such as YouTube. Also with the amount of hits in the with their web browser business nowadays, the promotion spreads like wild fire. Audio and Video recording and promotion is also highly successful in educational and training services. Audio-video tutorials available with their web browser are a rage, and many educational institutions are moving to internet-based education, which employs videos to give demos, explain processes and impart education. Business in the education industry can thus benefit with the usefulness of this tool. The value of Audio Video Presentation done by Dubbing Studio Kolkata is huge, and corporate can be rest assured that this tool is much more attractive and enticing to prospective consumers than conventional methods.


Home Music Recording

The most critical and essential element of creating your own personalized music is the recording level. This pertains to the level for the racks or the mixes. There has constantly been a standard and typical answer for this – That is to set the level at maximum just below the digital 0; which is referring to the top of the meter. Unfortunately, various of the professionals would most likely tell you this is completely wrong.

One of the many things you would want to remember with this industry is not to believe every thing you hear. (No pun intended). There are those in the industry that’ll tell you whatever thing merely to get you to buy their wares. Anybody that has been in the pc music realm would tell you that digital audio has just gotten to the point where sound quality is acceptable.

Remember one basic element about your quest of composing music and that is the sole purpose of recording sound. Which’s of course so we could listen and enjoy it. You need to learn and be able to determine what parts of the music must be louder than the others. For example, a pop ballad should be lower on track than a thrash metal. A guitar solo should be above the normal back ground playing.

Your first inclination will be to use only your digital meters and record these separately. On the surface, it sounds rational, but in all sense, you can end up with the genuinely opposite results. Reason being the digital recorders utilize peak meters, whereas music listeners utilise their hearing implying they use average characteristics when judging the levels. If not done in the right way then it implies the listener would be forced to turn the volume down.

You can prevent your frustrations if you simply record every thing at the correct levels right from the beginning. It will be right to share one track between 2 instruments at least. This should only be done when the two specific instruments are not playing concurrently. So you will record these instruments at the accurate level that they would be at when physically playing the song. Utilize your estimation qualities to get the results that are proper. You wish to hear what the end listeners should heae. They will not be utilising meters they will be utilising their natural ability of hearing.

Stay consistent with your entire album, say the listener has to keep standing up to adjust the volume you could bet they will not be too impressed.

If you try and do your sound recordings according to every of the info that some people give you then you’ll soon become discouraged. What may work in one song will for certain not work in another. Then there will be all the controversy to sort through. Learn the fundamentals, follow your judgment and trust your ears. Composing music is suppose to be an enjoyable event even if it is your livelihood, if you did not have passion for music it’s unlikely you will even be required in computer music.


Recording Studio Equipment

Building a home recording studio has never been more popular with the advance in recording studio equipment. Home Music Recording has found a solid blend of digital recording products and music recording knowledge to help you start your own home recording studio. Easy Steps to Making Music On Your Home Computer Any computer purchased in the last couple of years has the basic hardware for recording music. Computers with a hard drive smaller than 2Gb and a CPU slower then 100mhz is going to limit you to a few tracks at best. The faster and larger your home computer, the more powerful your digital recording capabilities can be. Besides your computer, all you need is a microphone and some software, and you are ready to create. Multi-track recording software is fairly easy to use. You don’t need a math degree to figure them out. Many programs are geared specifically for regular musicians, and most offer a minimum of 8-track digital home recording. Some programs come equipped with virtual drum features, full MIDI capabilities, and multi-effects. Actually, home recording is as easy as loading your software into your computer, jacking your mic into the sound card, and playing. Soloists can record one rhythm track, then create another lead track while your previous track plays back into your professional headphones, then add vocals on a third track. You can continue adding as many tracks as your computer and software can handle. Most software lets you add effects on all tracks. A word to the wise: even the fastest computers start slowing down with too many simultaneous effects in real time. Usually these ‘bogs’ will sound fine when you mix down, when the processor can handle more effects because it isn’t fixed to real time. Computer noise might be a pain when recording. The ideal thing to do is to put your computer under your desk. Even better, purchase extra long cables for all you peripherals and put your computer in the next room. Of course you’ll want to pick up a few other cool things. Perhaps a better sound card, maybe a sound mixer desk, certainly a better mic and preamp, and probably a MIDI keyboard. And then you’ll need to burn your own CDs. Keeping Your Gear Current Most people know that good home recording studio maintenance means cleaning and dusting rack modules, de-fragmenting hard drives, calibrating recorders and effects, and other details that help keep your gear in top operating condition. When you are performing your regular maintenance, don’t forget the software part of your setup. Thanks to the Internet, updates, drivers for A/D converters, plugins and upgrades for DAWs and soft synths, and the latest operating systems for computers and keyboards are just a click away. These updates generally offer feature enhancements, bug fixes, and/or expanded support for additional gear, plus they’re tend to be free! Whatever you do, have good fun building and operating your home recording studio!


Production Software

Planning-Planning-Planning. Planning an event is very complicated task. There are just too many aspects of scheduling an event that it will become fruitless if you do it manually. Now no work is done manually. All the work is done with the help of software the event planning is also done with Event production software.
A company generally has a number of Event production software in various stages of planning and execution at the same time. Every event is autonomous in itself. Any event scheduling software needs be designed using a project based approach. This should ensure that a user can manage all events in an independent manner. Your Event production software should allow you to create to do list categories so that you can segment them based on any criteria that you wish. Each to do list category in your Event production software should give you monthly view of your work schedule. You should be able to make customizable lists that are free form for maximum flexibility.
Setting up your Event production software registration system can take as little as an hour. You make changes to the form as you need including schedule dates and payment options. You are in total control of how your form will be appeared and how it will be processed. Event planning is a difficult task as many aspects have to be taken into consideration for a successful Event production software. Several events take place in an organization at various stages of planning and execution at the same time and all event is considered as independent in itself.
Event production software is worth its money if it has good technical features. Much Event production software are available with technical features as it is required to efficiently manages the multiple events happening in an organization at various stages. Event production software is now one of the fastest growing areas in the event management sector. Taking advantage of the benefits of automation and online software tools is helping to keep the event industry afloat during this recession.
Computer software applications have one function to help the computer user use the computer more efficiently. Various applications exist for this purpose and all have very different functions including gaming software, productivity software and more. The main Event production software where the images get transferred to acts as the file store and also a sales station. This should be a reasonably well specified machine with plenty of disk space for storage.
Brand management software Development companies take the testing responsibility so your valued IT staff can focus on their core competencies. Many times in house IT groups lack the time, resources and experience to thoroughly test new applications. Other types of test done are user acceptance testing, installation testing, negative testing, and smoke testing. User acceptance testing involves testing based in specifications or use of the end-user.


Home Recording Studio

Not all of us instinctively possess a good internal clock. The good news is that you can develop excellent time by first, being aware of its importance; second, by evaluating your own playing; and, third, by doing something constructive about it. One way to develop good time is to play along with recordings.

These days there is an overabundance of CDs available to you. Once upon a time, the only drummers who appeared on records were quality players. Now, any Tom, Dick, or Harry can make a CD in a home studio, so you have to be careful in your selection. You need to play along with the best, not the kid next door who has rushing and dragging problems. In Appendix A, you will see a list of professional drummers together with some of their most significant recordings. All of these drummers play with good time, though some of the studio players such as Vinnie Colaiuta, JR Robinson, Hal Blaine, Jeff Porcaro, Jim Keltner, Larry London, and others have a particularly acute sense of time that is worth studying.

Studio musicians most commonly dwell in Los Angeles these days, but New York City, Memphis, and Nashville can all be considered recording capitals of the world. Studio drummers typically work on a whole host of projects ranging from film and TV scores, to jingles for TV advertisements, to backing up famous singers, to standing in for a member of a rock band who has great looks, but doesn’t record particularly well. Often studio or session drummers are asked to play with a click track as they record. A click track is the same as a metronome, which you will learn about shortly Studio drummers are constantly under the gun, because, for a music producer, time is money. Session drummers are expected to learn material quickly, play with both rhythmical clarity and accuracy, understand just about any kind of “feel” or style of music, and most of all, play with great time. So, when trying to improve your time, it’s a good idea to familiarize yourself with the work of session drummers and to play along with their recordings.

When you play with recordings you will not only improve your sense of time but you will gain a sense of what it’s really like to play in a band. You will also gradually learn a repertoire of tunes by playing with CDs and begin, almost through osmosis, to learn about appropriateness in drumming.

Following is a list of issues to think about when playing along with recordings. Ask yourself, what style of music am I playing? What is the main groove being played by the drummer? How would you describe it? Where does the drummer play fills? Do the fills help the music to develop and climax? If so, how? Where does the drummer make shifts in the feel of the tune? This may include dynamics, changing the ride pattern or ride surface, or laying out altogether in a section. Is the drummer playing a lot of notes? In other words, do you detect a lot of activity or is he or she playing with a lot of space? What is the structure of the tune? If it’s a Top 40 tune, are there verses, choruses, a bridge or middle eight, a coda? Is the drummer pushing the beat, laying back on the beat, or playing straight down the middle of the beat?

Playing with recordings is a simple procedure. All you need is a Disc man or Walkman, a pair of headphones, and a collection of recordings to pull from. Using headphones that completely cup around your ears is a good idea, because this will minimize the sound of your drums and allow you to focus on the pulse of the recorded music. These kinds of headphones are a little more expensive, but well worth the price.

Be careful not to turn the music up too loud when playing along with recordings. It’s better to quiet yourself down. Earphones turned up too loudly can cause hearing damage.


How To Get Into Music Production

The notion of royalty free music is likely to appear as an exceedingly puzzling one for the less knowledgeable yet likely user of the advantages that come along with the decision to bring such music into play. In fact, a series of false impressions concerning the term have their justification. The designation royalty free music leads to the assumption that such music could never take in a royalty disbursement suitable for any type of use. Consequently, it has happened for people to guess that it does not involve any sort of costs at all.

On the contrary, when you opt for royalty free music (one and the same with the notion of buyout music), you do opt for using certain musical pieces royalty free, but within a particular set of conditions. Without a doubt, you will have to pay a one-time fee to acquire it.

For a case in point, your music license may make it possible for you to use your buyout music on all radio broadcasts with no royalties outstanding, but it does require initial acquisition royalties or royalties for any other types of broadcast (such as TV broadcast). On the other hand, one has to study closely license agreements with their buyout music library to stay in full awareness of the conditions and payments necessary for the broadcast of such music.

Let us revisit the few years prior to the birth of this notion. Prior to buyout music, libraries largely required the payment of a so-called Needle-Drop fee, of term-limit blanket licenses and of single production blanket licenses. Needle drop, back in the former vinyl days, stood for the necessity of the producer to pay a small fee each time he chose to use the music, which took place by means of the placing of the needle on the record (the name of the charge practice had a very clear connection with the concrete use of the music).

This implied that, if you made use of the music in a commercial, you had to give the needle drop fee. After that, if you opted once again for using the music in another announcement, you had to pay the needle drop fee once more. Term-limit blanket licenses made available for the producer a precise amount of music to use in permissible productions for an established time interval, on average one year. A production blanket license made it possible for the producer to bring into play as much music as necessary for any production. These days, you will still find in operation such methods of music licensing.

After a while throughout which such type of licensing held the monopoly, some music library producers had the initiative to implement the term of royalty free music, with the objective of rendering their libraries more attention-grabbing to producers.

With royalty free music libraries in force, producers discovered a manner of obtaining a blanket right to make use of the music exclusive of supplementary expenses for a particular use. Alternatively, they found it possible to obtain a set of CDs and make use of them with no limitations at all. In other words, we are now talking about a type of licensing opposite to the needle-drop fashion.

The final point is that no matter how complimentary royalty free music may sound, you still need to pay a fee. Of course, the advantage is that you pay it once and… that is that. On the other hand, you should examine thoroughly the license agreement with your buyout music library, to stay on the safe side to what concerns your rights of broadcasting the royalty free musical pieces that you acquire.


Music Making

When you learn to read guitar sheet music it will be vital in expanding your guitar playing skills. Playing by ear will only get you so far and I am here to help take it to the next step. I will show you some basic tips and tricks to help you learn to read guitar sheet music and hopefully that will make you a better and more versatile guitar player.

I will now give you a list that will show you it is not hard to learn to read guitar sheet music.

Finding the right material

Most guitar books will have some basic sheet music and songs in the front pages that are designed to help you learn to read guitar sheet music quickly. Once you have basic guitar knowledge it is relatively easy to learn to read guitar sheet music. Start in small sections, one chord at a time. Use your guitar and play the chord out loud until you know it sounds correct.
Setting your self up

You will need to be in a small quite room where you will not be distracted by anything when you learn to read guitar sheet music. The only way to know when you get it right is if it sounds right and it can be difficult do that if you have screaming kids in the room with you or loud street noise outside. Concentration is key and this will make it easier to learn how to read guitar sheet music. If you are distracted you may find a whole day can be wasted trying to focus.

Getting started

Remember what I said, be free from distraction! I cannot stress that enough. Now you’re alone and it is quiet, find a music book with sheet music, try to pick something easy but also try to pick something you are familiar with. It makes it much easier to learn to read guitar sheet music if you are familiar with the tune. Make sure you are confident with one piece before you move on to the next.

Continue practicing

Continue to practice as much as you can, you will find that the better you get the more you will practice. When you enjoy something you will mainly apply more time to it. Trying to learn to read guitar sheet music is easy when you practice! Once you have mastered reading sheet music then you can attempt to write you own music and that is where the real fun begins! It is essential to make sure you are confident or you will only have to go back and learn to read guitar sheet music all over again.

Recording Studio For Sale

For electronic musicians, 1982 was the Year Zero – that was the yr that MIDI first came on the market. It was designed as freeware – it was not patented, and was intended as a universal standard usable by any brand, so that MIDI could be used in a studio incorporating components or devices from many different manufacturers. The first of these was named MIDI 1. 0, of course. Soon after that, musical instruments with MIDI jacks started appearing.

One of the early problems was that the MIDI messages that instructed the different instruments which sounds to play identified these sounds only by number (“play patch #16”), and “patch #16” might refer to different sounds on instruments made by different manufacturers. Since a MIDI studio is composed of different electronic instruments strung together in a line over cables, if the instruments and devices were made by different manufacturers, a musician might have gotten a drum sound when he intended a flute sound. What the electro-universe needed was a “patch-mapping” standard – a standardized correlation between patch numbers and the sounds that these numbers represented.

Keep in mind also the problem that the musician would have when recording a song. Unlike WAVE files, a MIDI file does not record the actual music itself – it records only the electronic MIDI commands that are delivered to each instrument, like “Play Parch #16, “Adjust Volume to [X] Level”, and so on. . So even if he used all of the same brand equipment to produce his masterpiece, if he tried to play it back on another brand of equipment the sound would be different, because the command “play patch #17” would play a different sound on one brand of equipment than another. So if he took his composition and played it on somebody else’s MIDI sound module, his beautiful piano solo might become a harpsichord solo. Bummer, dude. In order to correct the problem he would have to go back into his recorded MIDI file and change the commands to harmonize them with the other sound module’s “patch mapping” (unless he miraculously discovered that the harpsichord solo sounded better anyway!).

In response to this problem, the General MIDI (GM) patch bank was created, standardizing the correlation between Program Change numbers and sounds for 128 MIDI patches (instruments). Because of this, there are only minor variations in the sounds created on different sound banks for these 128 patches.