Making Music Online

You’ve heard all your most adored music and artists on your local radio station. You’ve tuned in while hoping to hear something new and exciting. Unfortunately, the radio stations usually play the same tunes over and over. This causes other musicians to get left out in the cold. You may never hear of many fabulous rock singers, R and B artists, jazz professionals and Gospel greats if you only listen to what your radio station has to offer. Here are some tips to show you how to expand your music library with great songs you’ve probably never heard before.

Where Did The Music Go?

If hundreds of singing groups and musicians submit their songs to producers each year, but only a few get chosen, then where do all these amazing musicians go? Where and how are their songs being heard? Do they just give up? In the past, many of them would likely quit playing or singing all together once they were rejected in the mainstream music industry. But nowadays, a new avenue of getting their sensational music to the public has arisen; it’s called the World Wide Web!

There are now thousands of hip songs available online now that will probably never make it to the radio stations. The artists‘ names will probably never be mentioned in the mainstream music industry. But, that doesn’t mean the songs are cheesy or that the artists have bad singing voices. It simply means they didn’t get chosen to be in the top music charts. Their music might be wonderful, but was overlooked or got lost in the crowd of other musicians and bands.

A Variety of Music

This happening isn’t limited to only one certain type of music or musician. Almost any kind of music can fall victim to getting tossed in the „rejection“ pile. This includes jazz, Latin, pop, R and B, hip hop, reggae, rock, folk, comedy, Gospel, blues, techno, spoken word, rap, etc.

No matter what your taste in music, there are probably thousands of artists whoever never made it in the big-time that you would enjoy listening to their music. Your music library can grow with great music CDs from these singers so you can listen to many different songs whenever you need instead of being limited to the over-played music on the radio.

Music on the Web

There are specialty websites online that focus on publicizing music and artists that have never been heard before. You can go online to listen to unique sample music, purchase CDs, and purchase merchandise. These artists are great even though they never made it big. You can usually try their music before you purchase it to be certain it is right for you. So, there’s nothing to lose, but lots of amazing music to gain.

Music for Your Business

If you own a business where music is played often, you can also play some „unknown“ music over the loud speaker for others to hear. Your customers will be amazed at all the distinct songs they hear in your store. You’ll be the talk of the town!

Whether it’s rock, jazz or hip hop you enjoy, or if it’s Gospel, country, folk, or some other type of music, you can expand your music library in no time with many great tunes that never made it to the top!


Create Music Online Free

Once an actual song has been written, played and recorded, the video should be the easy part in comparison. Music video’s are just a short film which can involve shots of the singer constructed together to either form a short story about the song, or give a person something entertaining to watch while listening to the music.

Generally they are just used as a marketing device to promote either the band/singer or the song involved. Most songs are only a few minutes long, so creating footage for it should not be too difficult or challenging in comparison to a two-hour documentary about Big Foot.

Music video’s can be created with a variety of media from animation, live footage or even abstract. If you are considering making one, it should be the medium that you are most comfortable with.

Animation might be easier, but only if you have the programs and know how to use them. Without having to worry about lighting, cameras and people, animation is probably the easiest route to do, as the only real person involved, once you have the song, is the animator. You can decide what you want and have full control over how you want it to look.

In production, getting the right equipment is going to cost a person. However, there are any places, with a bit of research, where you could probably loan the right tools necessary. Standard equipment would include camera, sound and lighting equipment.

Having sound equipment might seem a bit strange, as you are probably going to just play the song over the video. However, if the movie is going to be story based, think how odd it will be for people to be walking without hearing their shoes tap on the ground. There are a lot of general noises that a person would not think were there until they are not.

A location for the shoot can also be problematic if it is a public scene. In any parts of the world, you would need to get permits for a film to be shot. Especially if shooting the film will cause a roadblock or be disruptive to the general public.

The angle of the camera needs to be taken into consideration, as well as how to get the angle. An overhead shot, will have to be taken from a point of height, so a ladder or access to a second story of a building would help. To capture footage of a person walking is easier done if the camera is on any type of wheel device. This makes the camera movement smooth, instead of if being moved up and down with the person who holding the camera, while walking backwards.

Although the music video, once completed, might only be a few minutes long, the general idea when taking footage is an hour worth of footage for a minute’s worth of video. Editing is also something that people new, to the industry of film, always forget about. But it is the editing that probably is the most important aspect.

It is here where if any special effects need to be created, are made. Colour, lighting and effects are all done in this step. Decisions on how to go from one shot to another needs to be considered, as well as any text that needs to be used.

There is no real way of making a simple music video. This is only the technical side of things that need to be taken into consideration, but they are just the basics. Any singers or actors starring in the movie need to consider their positions, their movements as well as what they are wearing.

The whole process needs to be thought out from beginning to end. Although a music videos can be created without spending too much, just remember that once the video has been made, the real job of promoting the song begins.


What It Takes To Be A Music Producer

There are career development people and then there are agents, producers, music company executives and the rest that just do their job.

The career development people are the ones who make stars. The others just play out their various roles in the scheme of things.

Remember music may be an art, but the music industry is a business. What any business ultimately wants is a reasonable profit for its time. Believe me, no one wants to put money into a band, no matter how talented they are, to only have them get into a personality spat and break up six months later, or to have them refuse to listen to seasoned advice because they are arrogant and know it all. So, there are a number of things that career development people and most others in the music industry are looking for besides talent.

When you present yourself you need to have all of these things in place–not just talent.

1) But, yes, you do need talent. And, your talent must be developed to professional levels. But, it is a given, an understood. Everyone knows you need talent. But talent doesn’t have to be the best thing ever, but it does have to achieve professionalism. Talent is unfortunately only about 1/10 of the formula.

2) Longevity. The longer your act can last, the more money everyone will make. This is obvious and can happen is several ways: Youth–you are young (this is why you see so many young kids developed into stars) and you have a potentially long career ahead of you. So you see a talented 15 yr old has an advantage over a talented 50 yr old. But don’t despair, if you are not 15 any more. Longevity, can be presented in other ways. A 30 yr old Rocker may have a longer likely career ahead of him than a 15 yr old rapper, because if the difference in the sub-industries. So, whatever your age (even if you are 50) don’t give up on longevity, just figure out how you can present a case for it. Show them how you will potentially have a long and prosperous career.

3) Built in audience. This guarantees sales, and sales means everyone will potentially make a profit. The bigger the existing audience the better. Use to be you had to go on the road a couple of years to develop a national audience. Now My Space can do it for you.Groups who have never been on the road are signing record contracts solely because of their MySpace following. Shows there is more than one way to skin a cat.

4) Staying power. Having lots of material means you are not a one song wonder. Three CDs worth of material is good. It means you will be around a while (Longevity again.) Most career development people feel it takes three CDs to make a star. Have this in place when you start meeting people and it will go better.

5) You have not given the whole pie away. No one in the industry wants to work for free, or less than they feel they should. Probably one of the biggest deal killers is the bands who have sold half their publishing rights to this guy, half their movie rights to this other guy, and they are locked into an obnoxious contract and an manager, etc. Career development people are going to have to work with you for years. They will not do it if you have given half the pie to other people. Approach them with the whole pie in place.

6) Cooperative nature. No one wants to work with a snarly, crazy, egotistical, arrogant, fool of an artist. So don’t be one. People working with you would rather work with the guy who has a pleasant easy to get along with personality. So be him, not the other guy.

7) Crossover potential. If you music can cross over into other genres, there will be more sales. If you as an artist can also, act and dance, there is a likely for movie deals and good concert sales. The more income streams you can tap into, the more attractive you will be. Know your strengths and abilities present your ability to tap into multiple income streams.

8) Do you have surveyed material or are you guessing? Most successful career development people survey. It is not how good you think your material is. It is how good others think it is. So start now. Survey your own material. Ask your fans to rate your songs on MySpace and after a performance mingle and ask people what they liked the best. Play your songs for school children and teenagers, get them to rate what songs they like best. Be willing as writers to throw away half of your material and develop fully surveyed CDs of your best material. Music is a communication. If it doesn’t communicate to anyone but you, it is pointless. If you have surveyed show those record company people the statistics. It will go a long way.

9 Watch who you get hooked up with. There are many famous people who can kill your career. There are famous people who have backstabbed others along the way to their success, and now others don’t trust them. Check out the people you hire and chose to work with. No one will need to invest a lot of money in you if they think your manager, or agent, or producer, or lawyer is just going to screw them sooner or later. If you hook up with the wrong people it can result in what is in effect a partial blacklisting.

(c)2007 Stan Medley


Recording Studio Design

Only another artist could understand how much work really goes into creating a quality piece of music; the time that’s spent learning the craft and the creative energy that goes into actually coming up with a new and unique piece of music that’s worth recording. If there are other artists involved in a collaborative effort it multiplies everything, there is a whole lot of dedication and commitment involved. So when the time comes to record the goal is to find the best recording studio for the money.

What is it that you should look for when you begin scouting for a facility to do your recording in? One attribute that should be a priority when looking for the right recording studio is if they have a qualified on-site recording engineer with an established reputation for producing quality products. One with a good reputation for having an even temperament and being easy to work with because the last thing you need is to get involved with some temperamental prim donna. Having someone that is involved in the process but is not willing to make the effort to get along with others will only lead to problems. You may end up feeling rushed to finish your project just to get out of there and this in turn can only serve to have a negative effect on the quality of your final product.

The perfect recording studio will also have a separate well insulated control room; a control room that’s equipped with the latest state-of-the-art equipment and features that allow for maximum options and flexibility.

Another thing to look for is overall quality design with an eye towards comfort. A place you can relax in can only help to expedite the creative process.

Acoustics is also incredibly important, so look around and ask them what they’ve done to optimize the acoustics.

A nice and roomy full-size recording room is also a big plus to look for. One with at least a few isolation booths where you can set up instruments like drums, so you can better control the type and volume of sound that’s coming out. Soundproofing is also just as important as acoustics in the recording room, so before you make your final decision you need to check that out as well to make sure that’s up to your standards.

Then if you don’t have the means for transporting your equipment to and from the studio ask them if they have access to a van or truck, and if so perhaps they can be of some assistance in helping you moving your equipment.

Lastly there’s the issue of pricing that has to be taken into consideration and recording time in a top-rated studio is surely not cheap. It all comes down to how much money you have to spend on your recording project and keep in mind that, just like so many other things in life that you’re going to buy or rent, you get what you pay for. So do some comparison-shopping to become familiar with the general price structure for recording time in a professional grade studio before you make your final decision.


Digital Music Production

A good way to raise the performance of your digital audio tool is by using equipment built-in with USB audio interface technology. .

Digital audio details are organized by a computer system, then transported to the interconnected digital audio speakers. Modern day audio equipments and products very easily be attached to a personal computer’s USB port. This is accomplished to file the digital audio on the device or equipment affiliated to the computer’s USB port. Computer programs placed in your personal computer may well then be utilized to modify or remaster the saved digital audio data. Discover how to boost the output of USB audio program technology plus the quality of your electronic digital music recordings or audio data compilations with these five proven strategies:

1. Successfully processing digital audio data could be assured with a computer which has a powerful CPU. It is because low operating power influences rendering and saving speed or quality. This will help stay clear of less-than-perfect quality electronic digital audio tracks playback, recording and also editing functionality.

2. Obtain a very good sound card or perhaps motherboard and an fantastic built-in audio chipset intended for your computer system. This specific is going to further more help the efficiency of your input and also output devices designed with USB audio interface technology. The reason being a very good sound card or perhaps superior motherboard pre-loaded with a robust audio chipset gives a lot of abilities most best for your digital tunes and also sound handling, creating and editing and enhancing demands.

3. Your personal machine have to have more than enough Memory means to make use of for you to increase the productivity of its digital data processing power. Ample RAM resources paired with a robust CPU will guarantee that the specific internal units connected and also built into your computer’s motherboard will certainly function the way they need to. RAM sources offer more than sufficient aid for the Computer to function using an optimized method.

4. Set up the foremost up to date product drivers for all your internal and external input or output tools attached to your computer’s motherboard. This won’t merely maintain your equipment pre-loaded with USB audio interface technology functions adequately, but also raise the efficiency of the other products within your personal computer. Advancements amongst various other maintenance finished for bugs seen in prior versions regarding these types of device drivers will further more enhance your entire computer experience, as well as your own digital audio tracks looking at, recording, object rendering and editing experience.

5. Data storage total capacity is very important for your digital audio reviewing, object rendering, recording and editing requirements. Temporary digital details are must be generated by your laptop or computer as well as its applicable audio gadgets in order to accomplish your digital audio recording, reviewing, rendering along with enhancing requirements. This will protect against lags along with other issues with the particular input and output gadgets incorporated with USB audio interface technology plugged into your personal machine.

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Music Production Equipment

The ultra-modern day technology of broadcast equipment is capable of remarkable things, as I’m certain you’re aware. Just about any film you go and see at the movies has gone through many steps of production to be delivered to your eyes, from a simple idea discussed in a conference room through storyboards, multiple filming locations, editing, distribution and a wealth of money. Broadcast equipment takes on a crucial role in conjuring up the raw components of the particular film – like the audio and visual elements. It’s supported by as well as dependent upon numerous other processes though, and it is by means of this mixture of processes which the movies we like to head out and enjoy are created.

Development

Just before any kind of broadcast equipment is able to be taken out from storage, the particular blueprints of the campaign need to be laid down. This is the time during which the original idea is concocted, discussed and picked up. Then the script is composed, and so the development of a storyboard and screenplay commences. Broadcast equipment, as well as its logistical possibilities, will likely be taken into account when contemplating the logistics of the script.

Pre-Production

Broadcast equipment is still ready and willing throughout pre-production. This is the point during which filming locations will be decided upon and cast and crew hired. Basically, like it sounds pre-production is the preparation of getting everything ready for production. Filming locations and the sets that are built at this stage will all be selected based on suitability for the story and to how they might fare when put in front of the crew’s broadcast equipment.

Production

This is when broadcast equipment gets fired up and sent out to the multiple filming locations. The visuals and also sounds for the film are all tracked at this stage. This is the part of the production process that is generally parodied and focused on – the director in the director’s chair, the over-hanging cameras and the actors getting dressed in suitable costume/having their faces prepared with the correct make up. The right broadcast equipment is integral during the production and post-production stages, and there is several professional broadcast equipment to choose from – including broadcast cameras and audio equipment.

Post-Production

The completed film is produced during post-production. However the broadcast equipment is still used in creating, enhancing and emphasising production sound. It is perhaps used to emphasise dialogue which could not be heard on set, or to add on the music score which will go with the particular movie. Most of the special effects and sound effects that we’ve grown used to are created and layered into the finished product during this final stage too. The value of excellent broadcast equipment is clear now because the footage that has been recorded in production needs to be readily available and capable of being edited in an efficient manner.

Distribution

Submission occurs after the broadcast equipment has been finished with, turned off and set back into storage. At this stage , the film is able to be watched, sold as well as distributed around the globe. Movie theaters and home audiences will then utilise their own equipment to view the film in all its magnificence – in High Definition or through any of the formats that had been used to make the original footage. The arch is finished.

Essentially in that case, broadcast equipment plays an vital role in the whole process of film production. The professional standards by which broadcast equipment is presently created ensures that your multimedia entertainment will continue to get even bigger and better. The future of film will definitely end up being exciting.

Production Music Online

The world loves music. The soul of video games and films lies in music. Today, several websites and a number of other applications in industries, such as corporate, retail, radio and restaurant, music is widely used to both entertain and retain customers or clients. This is where royalty free music comes into picture. Many people are still not aware of this term and those who are, are taking full advantage of it in their productions. This type of music is especially for people looking for inexpensive music.

If you are a serious professional then royalty free music is your best bet not only because it is affordable but also for it is high in value and quality. The provider of this type of music requires you to pay one time fee and gives you the rights to use the purchased tracks innumerable times. This means that there is no need to pay royalties for using it again. In this sense, such music is rightly termed as royalty free. This type of music is basically used to lend background score to films, videos on the Internet, and video games.

The benefits of using music that is royalty free are immense. The biggest of these is that you do not have to worry about creating music or pay huge sums of money to renowned composers and artists. All you need to do is get the royalty free music license for once. In case of other music licenses you may have to pay a fee every time you use a particular piece of music. To add to their side effects the amount of fee gets proportionately increased if you plan to broadcast that music or show it to more people. However, in case of music that is free of royalty payment, you can offer the purchased piece of music to a large audience as well without any additional fee.

The World Wide Web is overwhelmed with a huge number of free music sites. However, the music offered at these sites is usually very low in quality. Also, such websites do not have enough stock to offer you good variety to choose from. This limits your options. These also may not allow you to use the music they way you would wish to. They may even have copied tracks that may eventually land the users into copyright infringement troubles. So, it is important that you only get royalty free music from authentic websites that offer only high quality music and have certain policies to follow.

Although, the quality of music that is royalty free was considered doubtful by many people years ago, the popularity of this type of music in only surging with time. Today, you can find truly outstanding compositions online in a wide array of genres and moods. It is advised that you audition a track before finalizing it or add it to your wish list to take a final call on it. This will allow you to choose only the best fit track for your production.


Recording Studio

There was a time just a few decades back when building a private recording studio was prohibitively expensive for the vast majority of people out there. However, over the course of these three decades it is the plummeting price on electronics that has led to a boom in musicians and artists building them.

A basic personal desktop computer for instance would have run you about $7000 back then and it had a fraction of capacity that your average $300 model has today. The same thing goes for speakers, musical instruments, and even things like the new ultra sound absorbent insulating materials.

Everything is cheaper and absolutely everything is better now. So step one for getting started on your own personal music studio is to come to terms with whether you can put it together where you want. Yes sound absorbent materials are a whole lot better than they used to be, but they still aren’t perfect.

So if you’re, say up on an upper floor of the multi-unit housing complex you might give it any thought and run a few sound tests to make sure that you aren’t going to be put out of business as soon as it is done.

If it ends up bothering somebody try to keep in mind that running a commercial business like this in a residential dwelling means that an annoyed neighbour would have no trouble at all getting you shut down for code violations if you do plan on making money with it.

So then step two after you’ve cleared step one is to blow insulation into any of your existing exterior walls if they aren’t already insulated. In most states in the US insulation was not standard code in new construction up until around the mid-70s. So if you’re building is over 35 years old there’s a good chance that the walls are hollow. Cellulose insulation works best for blowing in and most hardware stores will lend you the blower for free when you buy the insulation.

Make sure to drill a hole at the top and bottom of each wall cavity so you can feed the installation in at the bottom and vent air out the top as it fills a cavity.

After that has all been done its time to build your interior walls and you’ll need to frame in a sound booth and a monitoring room for your mixing board. Then there’s also the option of a separate room for a drum set, and maybe a break room with a few chairs, a sofa, coffee table and perhaps a small refrigerator.

Make sure to use 2X6 framing lumber rather than 2X4s when you frame in these walls because you’ll be able to fit extra insulation into the larger cavities. Then after you frame in all the walls it is time to buy a covering for them.

Most people tend to gravitate towards natural wood for its acoustic benefits, there are new materials now that are also recognized for the acoustic qualities. Materials that are far more affordable than wood because it really has taken any big jumps in price in recent years.

Then when it is time to cover the floor typical thick pile carpeting with good high-quality foam padding works great for eating sound in rooms where you’re looking to deaden it.


Recording Studios

A recording studio is a state of the art facility with high-spec voice over recording and ISDN studio facilities. Most studios are digital recording studios and are very effective in producing very high quality audio and video tracks. Lots of staff works in a recording studio. There’s also Voice over guys who show their talent on commercial voice over, Corporate Recording, video game voice over, cartoon voice over etc.

These voice-over artists are generally from different states and mostly work on multi lingual assignments. Kilohertz an Audio Video Dubbing Studios in Kolkata is very well equipped to provide you with multifaceted facilities for your recording options. Recently Audio and Video recording have become very popular in the corporate sector as a business promotion tool. Business houses short small video films with Voce over so that they can be displayed both in Television, radio and Internet. Internet has become an exceedingly important medium to generate customer base and this increasing demand from businesses is basically driving more and more people to use Dubbing Studio Kolkata to make their advertisement options superior and improved with new or old products and services towards consumers in a dynamic manner.

Both Audio and Videos can be used very successfully to direct and take ahead any sort of marketing campaigns, business and sales promotions, special publicity operations and advertising drives, as audio visual presentations tend to have a superior effect on people, rather than only radio clips. This day Internet as an advertising medium is ever expanding and only written data ads tend to have lesser impact while audio video presentations add a degree of dynamism to the mostly bland written content on websites. Videos provide a moving atmosphere and your advertisement seems to become alive in front of the customer. That is why Audio Video Dubbing Studios in Kolkata have gained momentum and are used more and more by event managers, television channels and business houses. You can make choices between a visual montage of pics to a motion video and further to an audio-visual footage, the last being the most effective in driving the promotion as it can blend visual appeal and audio to further explain the features and benefits of the service and the product.

Now with the advancement in technology and with the availability of high definition, Blue Ray videos, products and services are visible in high digital clarity through video promotion. There are a lot of promotion sites on Video and Pic related content such as YouTube. Business Houses shoot their products, can edit the footage according to their product and service demands and upload it to their own website and others such as YouTube. Also with the amount of hits in the with their web browser business nowadays, the promotion spreads like wild fire. Audio and Video recording and promotion is also highly successful in educational and training services. Audio-video tutorials available with their web browser are a rage, and many educational institutions are moving to internet-based education, which employs videos to give demos, explain processes and impart education. Business in the education industry can thus benefit with the usefulness of this tool. The value of Audio Video Presentation done by Dubbing Studio Kolkata is huge, and corporate can be rest assured that this tool is much more attractive and enticing to prospective consumers than conventional methods.


Home Music Recording

The most critical and essential element of creating your own personalized music is the recording level. This pertains to the level for the racks or the mixes. There has constantly been a standard and typical answer for this – That is to set the level at maximum just below the digital 0; which is referring to the top of the meter. Unfortunately, various of the professionals would most likely tell you this is completely wrong.

One of the many things you would want to remember with this industry is not to believe every thing you hear. (No pun intended). There are those in the industry that’ll tell you whatever thing merely to get you to buy their wares. Anybody that has been in the pc music realm would tell you that digital audio has just gotten to the point where sound quality is acceptable.

Remember one basic element about your quest of composing music and that is the sole purpose of recording sound. Which’s of course so we could listen and enjoy it. You need to learn and be able to determine what parts of the music must be louder than the others. For example, a pop ballad should be lower on track than a thrash metal. A guitar solo should be above the normal back ground playing.

Your first inclination will be to use only your digital meters and record these separately. On the surface, it sounds rational, but in all sense, you can end up with the genuinely opposite results. Reason being the digital recorders utilize peak meters, whereas music listeners utilise their hearing implying they use average characteristics when judging the levels. If not done in the right way then it implies the listener would be forced to turn the volume down.

You can prevent your frustrations if you simply record every thing at the correct levels right from the beginning. It will be right to share one track between 2 instruments at least. This should only be done when the two specific instruments are not playing concurrently. So you will record these instruments at the accurate level that they would be at when physically playing the song. Utilize your estimation qualities to get the results that are proper. You wish to hear what the end listeners should heae. They will not be utilising meters they will be utilising their natural ability of hearing.

Stay consistent with your entire album, say the listener has to keep standing up to adjust the volume you could bet they will not be too impressed.

If you try and do your sound recordings according to every of the info that some people give you then you’ll soon become discouraged. What may work in one song will for certain not work in another. Then there will be all the controversy to sort through. Learn the fundamentals, follow your judgment and trust your ears. Composing music is suppose to be an enjoyable event even if it is your livelihood, if you did not have passion for music it’s unlikely you will even be required in computer music.


Recording Studio Equipment

Building a home recording studio has never been more popular with the advance in recording studio equipment. Home Music Recording has found a solid blend of digital recording products and music recording knowledge to help you start your own home recording studio. Easy Steps to Making Music On Your Home Computer Any computer purchased in the last couple of years has the basic hardware for recording music. Computers with a hard drive smaller than 2Gb and a CPU slower then 100mhz is going to limit you to a few tracks at best. The faster and larger your home computer, the more powerful your digital recording capabilities can be. Besides your computer, all you need is a microphone and some software, and you are ready to create. Multi-track recording software is fairly easy to use. You don’t need a math degree to figure them out. Many programs are geared specifically for regular musicians, and most offer a minimum of 8-track digital home recording. Some programs come equipped with virtual drum features, full MIDI capabilities, and multi-effects. Actually, home recording is as easy as loading your software into your computer, jacking your mic into the sound card, and playing. Soloists can record one rhythm track, then create another lead track while your previous track plays back into your professional headphones, then add vocals on a third track. You can continue adding as many tracks as your computer and software can handle. Most software lets you add effects on all tracks. A word to the wise: even the fastest computers start slowing down with too many simultaneous effects in real time. Usually these ‚bogs‘ will sound fine when you mix down, when the processor can handle more effects because it isn’t fixed to real time. Computer noise might be a pain when recording. The ideal thing to do is to put your computer under your desk. Even better, purchase extra long cables for all you peripherals and put your computer in the next room. Of course you’ll want to pick up a few other cool things. Perhaps a better sound card, maybe a sound mixer desk, certainly a better mic and preamp, and probably a MIDI keyboard. And then you’ll need to burn your own CDs. Keeping Your Gear Current Most people know that good home recording studio maintenance means cleaning and dusting rack modules, de-fragmenting hard drives, calibrating recorders and effects, and other details that help keep your gear in top operating condition. When you are performing your regular maintenance, don’t forget the software part of your setup. Thanks to the Internet, updates, drivers for A/D converters, plugins and upgrades for DAWs and soft synths, and the latest operating systems for computers and keyboards are just a click away. These updates generally offer feature enhancements, bug fixes, and/or expanded support for additional gear, plus they’re tend to be free! Whatever you do, have good fun building and operating your home recording studio!


Production Software

Planning-Planning-Planning. Planning an event is very complicated task. There are just too many aspects of scheduling an event that it will become fruitless if you do it manually. Now no work is done manually. All the work is done with the help of software the event planning is also done with Event production software.
A company generally has a number of Event production software in various stages of planning and execution at the same time. Every event is autonomous in itself. Any event scheduling software needs be designed using a project based approach. This should ensure that a user can manage all events in an independent manner. Your Event production software should allow you to create to do list categories so that you can segment them based on any criteria that you wish. Each to do list category in your Event production software should give you monthly view of your work schedule. You should be able to make customizable lists that are free form for maximum flexibility.
Setting up your Event production software registration system can take as little as an hour. You make changes to the form as you need including schedule dates and payment options. You are in total control of how your form will be appeared and how it will be processed. Event planning is a difficult task as many aspects have to be taken into consideration for a successful Event production software. Several events take place in an organization at various stages of planning and execution at the same time and all event is considered as independent in itself.
Event production software is worth its money if it has good technical features. Much Event production software are available with technical features as it is required to efficiently manages the multiple events happening in an organization at various stages. Event production software is now one of the fastest growing areas in the event management sector. Taking advantage of the benefits of automation and online software tools is helping to keep the event industry afloat during this recession.
Computer software applications have one function to help the computer user use the computer more efficiently. Various applications exist for this purpose and all have very different functions including gaming software, productivity software and more. The main Event production software where the images get transferred to acts as the file store and also a sales station. This should be a reasonably well specified machine with plenty of disk space for storage.
Brand management software Development companies take the testing responsibility so your valued IT staff can focus on their core competencies. Many times in house IT groups lack the time, resources and experience to thoroughly test new applications. Other types of test done are user acceptance testing, installation testing, negative testing, and smoke testing. User acceptance testing involves testing based in specifications or use of the end-user.


Home Recording Studio

Not all of us instinctively possess a good internal clock. The good news is that you can develop excellent time by first, being aware of its importance; second, by evaluating your own playing; and, third, by doing something constructive about it. One way to develop good time is to play along with recordings.

These days there is an overabundance of CDs available to you. Once upon a time, the only drummers who appeared on records were quality players. Now, any Tom, Dick, or Harry can make a CD in a home studio, so you have to be careful in your selection. You need to play along with the best, not the kid next door who has rushing and dragging problems. In Appendix A, you will see a list of professional drummers together with some of their most significant recordings. All of these drummers play with good time, though some of the studio players such as Vinnie Colaiuta, JR Robinson, Hal Blaine, Jeff Porcaro, Jim Keltner, Larry London, and others have a particularly acute sense of time that is worth studying.

Studio musicians most commonly dwell in Los Angeles these days, but New York City, Memphis, and Nashville can all be considered recording capitals of the world. Studio drummers typically work on a whole host of projects ranging from film and TV scores, to jingles for TV advertisements, to backing up famous singers, to standing in for a member of a rock band who has great looks, but doesn’t record particularly well. Often studio or session drummers are asked to play with a click track as they record. A click track is the same as a metronome, which you will learn about shortly Studio drummers are constantly under the gun, because, for a music producer, time is money. Session drummers are expected to learn material quickly, play with both rhythmical clarity and accuracy, understand just about any kind of „feel“ or style of music, and most of all, play with great time. So, when trying to improve your time, it’s a good idea to familiarize yourself with the work of session drummers and to play along with their recordings.

When you play with recordings you will not only improve your sense of time but you will gain a sense of what it’s really like to play in a band. You will also gradually learn a repertoire of tunes by playing with CDs and begin, almost through osmosis, to learn about appropriateness in drumming.

Following is a list of issues to think about when playing along with recordings. Ask yourself, what style of music am I playing? What is the main groove being played by the drummer? How would you describe it? Where does the drummer play fills? Do the fills help the music to develop and climax? If so, how? Where does the drummer make shifts in the feel of the tune? This may include dynamics, changing the ride pattern or ride surface, or laying out altogether in a section. Is the drummer playing a lot of notes? In other words, do you detect a lot of activity or is he or she playing with a lot of space? What is the structure of the tune? If it’s a Top 40 tune, are there verses, choruses, a bridge or middle eight, a coda? Is the drummer pushing the beat, laying back on the beat, or playing straight down the middle of the beat?

Playing with recordings is a simple procedure. All you need is a Disc man or Walkman, a pair of headphones, and a collection of recordings to pull from. Using headphones that completely cup around your ears is a good idea, because this will minimize the sound of your drums and allow you to focus on the pulse of the recorded music. These kinds of headphones are a little more expensive, but well worth the price.

Be careful not to turn the music up too loud when playing along with recordings. It’s better to quiet yourself down. Earphones turned up too loudly can cause hearing damage.


How To Get Into Music Production

The notion of royalty free music is likely to appear as an exceedingly puzzling one for the less knowledgeable yet likely user of the advantages that come along with the decision to bring such music into play. In fact, a series of false impressions concerning the term have their justification. The designation royalty free music leads to the assumption that such music could never take in a royalty disbursement suitable for any type of use. Consequently, it has happened for people to guess that it does not involve any sort of costs at all.

On the contrary, when you opt for royalty free music (one and the same with the notion of buyout music), you do opt for using certain musical pieces royalty free, but within a particular set of conditions. Without a doubt, you will have to pay a one-time fee to acquire it.

For a case in point, your music license may make it possible for you to use your buyout music on all radio broadcasts with no royalties outstanding, but it does require initial acquisition royalties or royalties for any other types of broadcast (such as TV broadcast). On the other hand, one has to study closely license agreements with their buyout music library to stay in full awareness of the conditions and payments necessary for the broadcast of such music.

Let us revisit the few years prior to the birth of this notion. Prior to buyout music, libraries largely required the payment of a so-called Needle-Drop fee, of term-limit blanket licenses and of single production blanket licenses. Needle drop, back in the former vinyl days, stood for the necessity of the producer to pay a small fee each time he chose to use the music, which took place by means of the placing of the needle on the record (the name of the charge practice had a very clear connection with the concrete use of the music).

This implied that, if you made use of the music in a commercial, you had to give the needle drop fee. After that, if you opted once again for using the music in another announcement, you had to pay the needle drop fee once more. Term-limit blanket licenses made available for the producer a precise amount of music to use in permissible productions for an established time interval, on average one year. A production blanket license made it possible for the producer to bring into play as much music as necessary for any production. These days, you will still find in operation such methods of music licensing.

After a while throughout which such type of licensing held the monopoly, some music library producers had the initiative to implement the term of royalty free music, with the objective of rendering their libraries more attention-grabbing to producers.

With royalty free music libraries in force, producers discovered a manner of obtaining a blanket right to make use of the music exclusive of supplementary expenses for a particular use. Alternatively, they found it possible to obtain a set of CDs and make use of them with no limitations at all. In other words, we are now talking about a type of licensing opposite to the needle-drop fashion.

The final point is that no matter how complimentary royalty free music may sound, you still need to pay a fee. Of course, the advantage is that you pay it once and… that is that. On the other hand, you should examine thoroughly the license agreement with your buyout music library, to stay on the safe side to what concerns your rights of broadcasting the royalty free musical pieces that you acquire.


Music Making

When you learn to read guitar sheet music it will be vital in expanding your guitar playing skills. Playing by ear will only get you so far and I am here to help take it to the next step. I will show you some basic tips and tricks to help you learn to read guitar sheet music and hopefully that will make you a better and more versatile guitar player.

I will now give you a list that will show you it is not hard to learn to read guitar sheet music.

Finding the right material

Most guitar books will have some basic sheet music and songs in the front pages that are designed to help you learn to read guitar sheet music quickly. Once you have basic guitar knowledge it is relatively easy to learn to read guitar sheet music. Start in small sections, one chord at a time. Use your guitar and play the chord out loud until you know it sounds correct.
Setting your self up

You will need to be in a small quite room where you will not be distracted by anything when you learn to read guitar sheet music. The only way to know when you get it right is if it sounds right and it can be difficult do that if you have screaming kids in the room with you or loud street noise outside. Concentration is key and this will make it easier to learn how to read guitar sheet music. If you are distracted you may find a whole day can be wasted trying to focus.

Getting started

Remember what I said, be free from distraction! I cannot stress that enough. Now you’re alone and it is quiet, find a music book with sheet music, try to pick something easy but also try to pick something you are familiar with. It makes it much easier to learn to read guitar sheet music if you are familiar with the tune. Make sure you are confident with one piece before you move on to the next.

Continue practicing

Continue to practice as much as you can, you will find that the better you get the more you will practice. When you enjoy something you will mainly apply more time to it. Trying to learn to read guitar sheet music is easy when you practice! Once you have mastered reading sheet music then you can attempt to write you own music and that is where the real fun begins! It is essential to make sure you are confident or you will only have to go back and learn to read guitar sheet music all over again.

Recording Studio For Sale

For electronic musicians, 1982 was the Year Zero – that was the yr that MIDI first came on the market. It was designed as freeware – it was not patented, and was intended as a universal standard usable by any brand, so that MIDI could be used in a studio incorporating components or devices from many different manufacturers. The first of these was named MIDI 1. 0, of course. Soon after that, musical instruments with MIDI jacks started appearing.

One of the early problems was that the MIDI messages that instructed the different instruments which sounds to play identified these sounds only by number („play patch #16“), and „patch #16“ might refer to different sounds on instruments made by different manufacturers. Since a MIDI studio is composed of different electronic instruments strung together in a line over cables, if the instruments and devices were made by different manufacturers, a musician might have gotten a drum sound when he intended a flute sound. What the electro-universe needed was a „patch-mapping“ standard – a standardized correlation between patch numbers and the sounds that these numbers represented.

Keep in mind also the problem that the musician would have when recording a song. Unlike WAVE files, a MIDI file does not record the actual music itself – it records only the electronic MIDI commands that are delivered to each instrument, like „Play Parch #16, „Adjust Volume to [X] Level“, and so on. . So even if he used all of the same brand equipment to produce his masterpiece, if he tried to play it back on another brand of equipment the sound would be different, because the command „play patch #17“ would play a different sound on one brand of equipment than another. So if he took his composition and played it on somebody else’s MIDI sound module, his beautiful piano solo might become a harpsichord solo. Bummer, dude. In order to correct the problem he would have to go back into his recorded MIDI file and change the commands to harmonize them with the other sound module’s „patch mapping“ (unless he miraculously discovered that the harpsichord solo sounded better anyway!).

In response to this problem, the General MIDI (GM) patch bank was created, standardizing the correlation between Program Change numbers and sounds for 128 MIDI patches (instruments). Because of this, there are only minor variations in the sounds created on different sound banks for these 128 patches.